Odds and Ends considers the end as guiding principle in everything around us, and delineates a portrait of an abandoned, still-smoking Earth. Marie Quéau has set out to explore lands and terrains that might be vectors for her anxieties about the future. She often undertakes this work as an obituary for our planet, harking to its accidents and its slow collapse. This investigation progresses as a hopscotch of sorts, one place immediately leading to the next. Over five years, wind, earth, and fire have guided her in piecing together this fatal fable. Time has been intentionally frozen to muffle life. This series is, in her eyes, a poem without men.

SILVER PRINT + HARD COVER 180 PAGES 220 X 280 MM 500 COPIES

Pectus Excavatum - Quentin Yvelin
L'amour/Mon ange - Brûle et / Demange - Samoth Trauberchel
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Le corps travesti - Michel Journiac
movement in squares - Stefanie Leinhos
Halogénure #04
Talweg 6 - La distance
Entretiens – Jérôme Dupeyrat
Alma Mater n°1
Piano - Joseph Charroy
Paysageur n°3 - Mobiles
Hybrid heads - Daniela Dossi
Le vieux père - Laurent Kropf
16 x 421 - Lorraine Druon
Retour d'y voir - n° 1 & 2 - Mamco
Dans la Lune - Fanette Mellier
Tote Bag - Lucas Burtin x Librairie Lame
Hideous - Thomas Perrodin, Néoine Pifer
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Autodrône - Divine Vizion
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Revue La Ronde n°14
Deep state - Mathieu Desjardins
L'inventaire des destructions - Éric Watier
Graphzine Visages
Génération dakou - Yann Jun + CD
Illusive prosody - Alex Beaurain
Bacon le Cannibale - Perrine Le Querrec
À partir de n°4 - Collectif
Saveurs imprévues et secrètes - Gilbert Lascault
Fluent - Laëticia Donval 





















