In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Gone - Pierre La Police
Off the Grid - Anna Niklova
Dialogue de dessins 8 - Marcus Oakley, Roxane Lumeret, Zad Kokar
Three Dice - Aymeric Vergnon
Tools #04 – Couper / To Cut
Critique & création - L.L. de Mars
Sillo n°3 - Le Fauve
Illusive prosody - Alex Beaurain
Sans-Titre - Laurens Van'T Riet
Piano - Joseph Charroy
La France de tête - Lot de 4 numéros
Retour d'y voir - n° 1 & 2 - Mamco
La France de tête #04
La nuit, tu mens - Ambre Husson
Photographic Fields - Joël Van Audenhaege
Instructional Photography: Learning How to Live Now - Carmen Winant
La grande surface de réparation - Gilles Pourtier
Birds - Damien Poulain
La traversée - Magali Brueder
Aurore Colbert - Marie Mons 

























