In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Shanghai Cosmetic - Leslie Moquin
Oblikvaj 5 - Vingt-deux plongées profondes - Aude Barrio, Ensemble Batida
Intérieurs - Claude-Hubert Tatot
本の本の本 - antoine lefebvre editions,
Watch out - Anne-Émilie-Philippe
Entretiens – Jérôme Dupeyrat
The Book Fight - Chihoi
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Turbo Decompress - Coll.
Retour d'y voir - n° 1 & 2 - Mamco
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
BIC011 Montes - Braulio Amado
Le vieux père - Laurent Kropf
Temps d'arrêt - Etienne Buyse 

























