In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Le museau de mes amies m’amuse - Jehane Mahmoud
Bacon le Cannibale - Perrine Le Querrec
On-off Tones - Anna Bergquist
Bambi # 4 - Collectif
Ravedeath Convention - Jan Philipzen
The Shelf - Journal 3
Critique & création - L.L. de Mars
Strannberg – The Chauvinist Manifesto - Samuel Nyholm / Sany
Darkest Night - Joel Van Audenhaege
Le vieux père - Laurent Kropf
Hmm ! - C. de Trogoff
Regards croisés — Gekreutze Blicke - Yeloyolo
Une généalogie des grandes oreilles - Lauren Tortil
š! #39 'The End' - coll.
Graphzine Visages
La traversée - Magali Brueder
A l'origine - Anne-Émilie-Philippe
Catalogue Art Guys - That's painting productions, Bernard Brunon
Village - Julie Safirstein
Poster Photo Magazine n°1
Roven n°5
HARTES BROT - Moritz Schermbach
Le blanc nez - Fouss Daniel 

























