In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Mission Control - Emir Karyo & Jan Wojda
Le Gabion - Théo Robine-Langlois
La Fête - Damien Tran
François Morellet - 5 x 3 - François Morellet, Serge Lemoine, Frédéric Valabrègue
Folding Space Ship - ottoGraphic
Halfgrijs - Coll.
Sakae Osugi – Anarchiste japonais – Ville de St-Denis 1923 - Katja Stuke, Oliver Sieber
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
How to Become the Daughters of Darkness - Coll.
Denver Mosaic 1961 - René Heyvaert
Tchat - Gary Colin
MASKS - Damián Ortega
IBM – Graphic Design Guide from 1969 to 1987
Gruppen n°13 - Collectif
Slanted 30 - Athens
La construction - Perrine Le Querrec
Spectres n°4 - Mille voix
Rocher du Ciel - Martin Desinde
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Musée des Beaux-Arts - Pierre Martel
Piano - Joseph Charroy
Après la révolution – numéro 1
Rasclose - Geoffroy Mathieu 

























