In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Sans titre - Chris Kiss
Screen Printing Basics - ottoGraphics
She is warm - Iringo Demeter
Strates & Archipels - Pierre Merle
Pectus Excavatum - Quentin Yvelin
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Grilles - Zelda Mauger
10 MINUTES Architects and Designers in Conversation
Pilote - Mathilde Sauzay
Laura Mulvay - Fetichisme et curiosité
Good Company - Paul Van der Eerden
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Home Cinema - Sarah-Louise Barbett
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Halogénure #04
Editer l’art – Leszek Brogowski
Fournitures - Julien Gobled
Rasclose - Geoffroy Mathieu 

























