In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student. The album comprises original negatives, silver prints, manuscript comments from an anonymous professor, and shows the student’s diligence in mastering the rules applying to the conventional portrait. This volume was given a second life through the expert hands of Kensuke Koike, a Japanese artist based in Venice whose practice combines collage and found photography.

The series, “No More, No Less”, born from the encounter between Koike and Sauvin, includes new silver prints made from the album’s original negatives. These prints were then submitted to Koike’s sharp imagination, who, with a simple blade and adhesive tape, deconstructs and reinvents the images. However, these purely manual interventions all respect one single formal rule: nothing is removed, nothing is added, “No More, No Less”. In such a context that blends freedom and constraint, Koike and Sauvin meticulously explore the possibilities of an image only made up of itself.
Edition of 400
76 pages
One folded sheet + 2 booklets
Duotone / CYMK / Silver Pantone

Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Saint Julien l'hospitalier Tome 2 - Claire Pedot
À partir de n°1 - Coll.
Aurore Colbert - Marie Mons
Copy This Book - Eric Schrijver
本の本の本 - antoine lefebvre editions,
ICCMHW - Atelier Choque Le Goff
Revue La Ronde n°14
Rois de la forêt - Alain Garlan
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Dessins pour Rugir - Virginie Rochetti
IBM – Graphic Design Guide from 1969 to 1987
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Illusive prosody - Alex Beaurain
Mökki n°2
Demain normalement - Octave Abaji
Science of the secondary #11 - Banana
Konrad Becker - Dictionnaire de réalité stratégique
La France de tête - Lot de 4 numéros
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Rasclose - Geoffroy Mathieu 

























