Pages: 36
Dimensions: 5.5 in X 8.5 in
Cover: Paper
Binding: staplebound
Process: Color offset and two-color Risograph
Color: full color offset cover, interiors are full color offset and two-color Risograph
Edition size: 525
ISBN: none
Library Excavations #9 goes digging into the Chicago Artist Files at Harold Washington Library. A slightly more fancy edition than usual. In addition to a five page essay there are 20 full color pages representing obscure printed ephemera by as unusual and diverse an array of Chicago artists as you should expect from Public Collectors.

From the back cover:
In the 8th floor reference collection, the Chicago Public Library’s Harold Washington Library Center houses the Chicago Artist Files—a series of file cabinets measuring well over 70 linear feet with materials connected to Chicago artists, art movements, and arts organizations spanning from 1890 to the present. Archived materials include news clippings, letters, photographs, slides, CDs, artists’ books, gallery invitations and original artwork. Visitors may request artists whose files they would like to view and a librarian will pull that material for them.
With support from the organization Sixty Inches from Center and CPL librarian Bob Sloane, I was able to peruse these files directly and this booklet surveys my experience of this rich, varied, and unusually democratic collection. In addition to writing about the library’s holdings, I’ve made a personal selection of items to reproduce in color. As with every publication in the Library Excavations series, my hope is that this booklet will inspire you to explore your local public library collections. In response to this specific publication, I would also like to see Chicago artists—and others who save Chicago art ephemera—contribute items that would improve this collection. Inside this booklet I detail who is qualified to be part of this archive (spoiler alert: it doesn’t take much) and how to access the files and submit material. — Marc Fischer
LIBRARY EXCAVATIONS
Library Excavations is a project and publication series by Public Collectors that highlights and activates physical materials found in public libraries. Library Excavations encourages intensive browsing of paper and print resources, particularly those that are under-utilized, or at risk of being withdrawn and discarded.

Retour d'y voir - n° 1 & 2 - Mamco
Un peu comme voir dans la nuit - Leif Elggren + CD
Pectus Excavatum - Quentin Yvelin
Le lacéré anonyme - Jacques Villeglé
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Vacuité 9090 - Jérémy Piningre
L’intérêt à agir. Quand l’art s’inquiète du droit des étrangers et du droit d’auteur - Coll.
interférence - 2 - maycec
Eros negro n°3 - Démoniak
Alma Mater n°1
ICCMHW - Atelier Choque Le Goff
the Ghost of Weaving - Coll.
Seoul Flowers & Trees - tribute to Lee Friedlander
Rasclose - Geoffroy Mathieu
Piano - Joseph Charroy
Vanishing Workflows - Xavier Antin
Victor Papanek - Design pour un monde réel
Eros Negro # 1 - Demoniak
Teddy et le Grand Terrible - Orian Mariat.
Collective Design : Alison & Peter Smithson
À partir de n°1 - Coll.
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
IBM – Graphic Design Guide from 1969 to 1987
Débris #3 - Tout e(s)t n'importe quoi !
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Sans titre - Chris Kiss
Fournitures - Julien Gobled
Der Erste Rotkehlchen - Le livre
Dédale - Laurent Chardon
Jean-Jacques a dit - Angèle Douche
Gros Gris n°4 - Duel
Critique & création - L.L. de Mars
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Titanic Orchestra - Julien Mauve
Tchat - Gary Colin
Dessins pour Rugir - Virginie Rochetti
ARTZINES #1, Paris issue
Le Choix du peuple - Nicolas Savary, Tilo Steireif
La traversée - Magali Brueder
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball 












