The fourth issue of Library Excavations, an ongoing Public Collectors booklet series. From the back cover:
Suspect Methodology
The images in this booklet are reproduced (without permission) from a study on personal appearance identification within a law enforcement environment. The study was published in 1972. In 2016 I found a copy of it in a reference section at Chicago Public Library’s Harold Washington Library Center. The authors of the study obtained mug shots from the Erie County Sheriff’s Department in New York, and used them in tests with Buffalo State College students as subjects. Who are the people in these mug shots? Did they consent to this? Some of these people appear to be in a state of distress. Were the people in these mug shots guilty of anything? Does it matter if they were?
This booklet highlights the violence of the researchers’ methodology. The people in these photos were turned into a collection of parts—scalped, fragmented, beheaded, and sorted by race and gender. The study’s aim was to help witnesses identify suspects more accurately, and help law enforcement personnel do a better job eliciting information from witnesses. Over forty years later, fear-based and prejudicial eyewitness accounts have produced thousands of false arrests, wrongful convictions, and deaths at the hands of police. I support activists who are calling for the end of both police violence and law enforcement used for social control. We need community solutions for transformative justice, not more police. — Marc Fischer
Library Excavations is a project and publication series that highlights and activates physical materials found in public libraries. Public Collectors prefers direct experiences of physical media over the digital. Library Excavations encourages intensive browsing of paper and print resources, particularly those that are under-utilized, or at risk of being withdrawn and discarded.
Public Collectors was founded by Marc Fischer in 2007. He is based in Chicago, IL.
32 pages.


Intérieurs - Claude-Hubert Tatot
Le corps travesti - Michel Journiac
Strates & Archipels - Pierre Merle
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
The Shelf - Journal 3
It was a good day - Jeremy Le Corvaisier
Dernier royaume - Quentin Derouet
Autoportrait - Carla Lonzi
Delete Instagram - Brad Phillips
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Florina Leinß - Ersatzteillager
Tomber dans l'escalier - Jasper Sebastian Stürup
Dans la Lune - Fanette Mellier
Aurore Colbert - Marie Mons
Harry Thaler's Pressed Chair
Laura Mulvay - Fetichisme et curiosité
Le dos des choses - Guillaume Goutal
Augure - Rodrigue de Ferluc
ICCMHW - Atelier Choque Le Goff
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Zoom Age - Julien Auregan
Artzines #12 Provo Special
Capolavori - Livio Vacchini
Le blanc nez - Fouss Daniel
Catalogue Art Guys - That's painting productions, Bernard Brunon
Feminae Explorarum - Ingrīda Pičukān
Rasclose - Geoffroy Mathieu
Birds - Damien Poulain
Le vieux père - Laurent Kropf
Pilote - Mathilde Sauzay
Atopoz - Collectif
Avec ce qu'il resterait à dire - Anne Maurel
Four Worlds - Hannah Waldron
Le Cygne de Popper - Alice Brière-Haquet, Janik Coat
Fluent - Laëticia Donval
Der Erste Rotkehlchen - Le livre
Una Silla Plegada ( A Folded Chair) - José Quintanar
Red Horse - Sasha Kurmaz 







