Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Aristide n°4
Entretiens – Jérôme Dupeyrat
interférence - 3 - maycec
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Farandole - Jérémie Fischer
Musée des Beaux-Arts - Pierre Martel
Intérieurs - Claude-Hubert Tatot
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Dans la Lune - Fanette Mellier
Échec et scotome - Jean Otth
Temps d'arrêt - Etienne Buyse
People in a faraday cage - Stéphanie Gygax
Sur la page, abandonnés — vol.3
Zoom Age - Julien Auregan
Étrangement seuls - Jean-Pascal Princiaux 









