Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Les soleils qui tournent ont des oreilles - coll.
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Philonimo - Le Papillon de Tchouang-Tseu - Alice Brière-Haquet, Raphaële Enjary
Ce que l'histoire fait au graphisme - Clémence Imbert
Gros Gris n°4 - Duel
Le Cygne de Popper - Alice Brière-Haquet, Janik Coat
Eros negro n°4 - Démoniak
Halogénure #04
Polyphème (d'après Euripide) - J. & E. LeGlatin
Tu peux répéter ? – Écrire, parler, expérimenter les langues - Marianne Mispelaëre
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Nombril #1
UP8 — Pour une pédagogie de l'architecture
Aurore Colbert - Marie Mons
America - Ayline Olukman, Hélène Gaudy
La France de tête - Lot de 4 numéros
Piano - Joseph Charroy 









