Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
fil·le·s de polypropylène bleu - coll.
Imagos - Noémie Lothe
Les danseurs du Balajo - 2017-2018 - Carole Bellaïche
Dessins pour Rugir - Virginie Rochetti
Mökki n°2
Tomber dans l'escalier - Jasper Sebastian Stürup
Zoom Age - Julien Auregan
Oblikvaj 2 - L'amour à la maison - Yannis La Macchia, Ensemble Battida
L'œuvre des matières - Ivry Serres
Good Company - Paul Van der Eerden
SKKS - Gilles Pourtier
Polyphème (d'après Euripide) - J. & E. LeGlatin
Crise de foie - Christine Demias
Piano - Joseph Charroy 









