Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Eros negro n°3 - Démoniak
Darkest Night - Joel Van Audenhaege
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Jean-Marc Bodson - États des lieux
À partir de n°1 - Coll.
Philonimo - Le Papillon de Tchouang-Tseu - Alice Brière-Haquet, Raphaële Enjary
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Pilote - Mathilde Sauzay
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
La typographie des Penguin Classics - Andrew Barker
Mökki n°4
Rasclose - Geoffroy Mathieu
Citrus maxima xparadisi - coll.
Dear Paul - Paul Van der Eerden
Keywording (Post) Contemporary Art - Greta Rusttt
Catalogue Art Guys - That's painting productions, Bernard Brunon
16 x 421 - Lorraine Druon
Gros Gris n°4 - Duel
(page 1 et 17) - Lorraine Druon
Eros Negro # 1 - Demoniak
La France de tête #04
Critique & création - L.L. de Mars
Seoul Flowers & Trees - tribute to Lee Friedlander 









