Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


People in a faraday cage - Stéphanie Gygax
Mosaïque d'asphalte - Jack Torrance
Sights - Henry McCausland
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Retour d'y voir - n° 1 & 2 - Mamco
Expériences pédagogiques Workshop La Plata 01. - Collectif - Zeug
Copy This Book - Eric Schrijver
Rasclose - Geoffroy Mathieu
Darkest Night - Joel Van Audenhaege
America - Ayline Olukman, Hélène Gaudy
Pectus Excavatum - Quentin Yvelin 









