Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Le vieux père - Laurent Kropf
ICCMHW - Atelier Choque Le Goff
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Polyphème (d'après Euripide) - J. & E. LeGlatin
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Fluent - Laëticia Donval
Le blanc nez - Fouss Daniel
The Shelf - Journal 3
Musée des Beaux-Arts - Pierre Martel
Photographic Fields - Joël Van Audenhaege
Konrad Becker - Dictionnaire de réalité stratégique
ADBC du Dessin - Jacques Floret
La traversée - Magali Brueder
Dear Paul - Paul Van der Eerden
Pectus Excavatum - Quentin Yvelin 









