Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


La Colombe de Kant - Alice BRIÈRE-HAQUET / Émilie VAST
La France de tête - Lot de 4 numéros
Débris N°2 - Théo Garnier Greuez
Lili, la rozell et le marimba / revue n°2
Pectus Excavatum - Quentin Yvelin
interférence - 3 - maycec
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Flower finds - Orianne Jeanselme
Titanic Orchestra - Julien Mauve 









