In the wake of the Second World War, aiming to occupy the children rampaging streets and parks, the City of Amsterdam founded Jongensland, a space where boys (and the occasional, officially disallowed girl) could play, build, create, and destroy, largely without supervision. Located on an island accessible only by rowboat, Jongensland grew into a sprawling settlement built experimentally from scrap materials by its young inhabitants. Here, children would cook food, raise animals, build fires, and trade with each other. Without adult intervention, they relied on shared resourcefulness and collaborative ingenuity.

In 1969, when the architectural photographer Ursula Schulz-Dornburg moved to Düsseldorf with her two young children, she discovered Jongensland the other side of the border from Germany’s strictly regulated playgrounds. Fascinated by the improvised buildings where her children would play, she made extensive photographs capturing them being constructed, used, demolished, and reshaped. Her images capture an intuitive architectural intelligence and capture a genre of vernacular construction with its own conventions and innovations, one which illuminates the role of imagination in defining a building’s identity and purpose.
This book presents Schulz-Dornburg’s largely unseen series alongside an extended alongside an extended essay by architectural historian Tom Wilkinson reflecting on the architectural themes and lessons Jongensland continues to offer.

Les voiles de Sainte-Marthe - Christian Rosset
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Dans la Lune - Fanette Mellier
Dark optics - David Claerbout
Parataxes + CD - Michael Gendreau
Artzines #12 Provo Special
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Entretiens – Jérôme Dupeyrat
Cuadernos - Henry Deletra
Le chateau enchanté - Atelier Mclane
Sans titre - Benjamin Hartmann
Strates & Archipels - Pierre Merle
Editer l’art – Leszek Brogowski
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Prose postérieure - Les commissaires anonymes
Du Fennec au Sahara - Guillaume Pinard
Optical Sound 2
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Spécimen Typographique : No Ko - Loris Pernoux
A l'origine - Anne-Émilie-Philippe
À partir de n°1 - Coll.
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Mökki n°4
Gros Gris n°4 - Duel
L'inventaire des destructions - Éric Watier
Le blanc nez - Fouss Daniel
De lave et de fer - Laurent Feynerou
š! #39 'The End' - coll.
Shanghai Cosmetic - Leslie Moquin
Der Erste Rotkehlchen - Le livre
L'internationale modique (AND 3) - J-M. Bertoyas
Holy etc. - Fabienne Radi
Burning Images, A History of Effigy Protests - Florian Göttke
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Deep state - Mathieu Desjardins
Le corps travesti - Michel Journiac
Saveurs imprévues et secrètes - Gilbert Lascault
Optical Sound 3
Bande Annonce - Cinéma & Bande Dessinée - Coll.
La beauté d'une musique qui ne compte pas - Kenneth Gaburo
Sans titre - Chris Kiss
Photographic Fields - Joël Van Audenhaege
L'arum tacheté de J-M. Bertoyas
Tchat - Gary Colin
akaBB - tribute to Roni horn
La mémoire en acte - Quarente ans de création musicale
Seoul Flowers & Trees - tribute to Lee Friedlander
Demain normalement - Octave Abaji
De tels baisers - Jul Gordon
La traversée - Magali Brueder
La prise - Florian Javet
Grilles - Zelda Mauger
La construction - Perrine Le Querrec
Dear Paul - Paul Van der Eerden
Mariken Wessels — Miss Cox
Titanic Orchestra - Julien Mauve
Délié - Baptiste Oberson
Rasclose - Geoffroy Mathieu
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
Quand l’ocean se retire d’Henri C. - Billiam C. et Camille Carbonaro 



















