Pages: 8 page booklet with printed envelope, 66 loose printed inserts and 2 stickers
Dimensions: 10.5” x 7.5”
Cover: softcover
Binding: staplebound booklet and loose inserts with envelope
Process: Risograph, offset, digital
Color: 5 color RISO, black digital, color offset
Edition Size: 275
ISBN: none

The latest publication from the Hardcore Architecture project by Public Collectors focuses on paper advertising ephemera from undergound zines and bands of the 1980s to the early 1990s. From the essay booklet:
Little slips of printed paper, crammed with details about new demo tapes, records, zines, distribution and mail order services or other offerings, found their way into countless letters throughout the 1980s and 1990s. It was common for an envelope to explode with these bits of this and that—all modest attempts to spread the word, drum up some orders or correspondence, and reach new audiences. Zines used them to solicit demo tapes for review and new writing to publish. Bands used them to sell their tapes and records. Given the vast number of people that were engaged in pen pal relationships and tape and zine trading, many thousands of these slips of paper moved back and forth all over the world.
In addition to a short booklet that includes quotes from some zine-makers, band members and record labels about this practice, the main feature here is the recreation of 66 facsimiles of these little ads: scanned from my own archives or the collections of others and all reprinted and cut by hand in the loving but extremely labor-intensive mode of bedroom publishers of yore. Essentially, this edition is a portable exhibit of designed and printed paper bits that many people made and used, but far fewer people thought to save.
About Hardcore Architecture:
Hardcore Architecture explores the relationship between the architecture of living spaces and the history of underground hardcore bands in the 1980s. This publication, which focuses on the domestic homespun production aspects of underground music and publishing culture, is a supplement to the website: www.hardcorearchitecture.tumblr.com. It is one of a series of printed publications addressing the themes of the project through writings, interviews, photos, and printed ephemera. Hardcore Architecture is a project of Marc Fischer and Public Collectors.

Musique pour les yeux - Johann Bertrand Dhy
Les voiles de Sainte-Marthe - Christian Rosset
Collage - Laura McMorrow
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Parataxes + CD - Michael Gendreau
Espaces intermédiaires - Éliane Radigue et Julia Eckhardt
Prose postérieure - Les commissaires anonymes
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Dessins pour Rugir - Virginie Rochetti
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Atopoz - Collectif
Saint Julien l'hospitalier Tome 2 - Claire Pedot
Radio-Art - Tetsuo Kogawa
Objets Minces - Collectif
Replacement Artwork - Alexandre Barré
Le voyeur - entretiens - Éric Rondepierre - Julien Milly
Jawa Tengah Combo - Fred Maillard
Promenade au pays de l'écriture - Armando Petrucci
Tomber dans l'escalier - Jasper Sebastian Stürup
Génération dakou - Yann Jun + CD
Wayfaring - Patrick Messina, André S. Labarthe
Optical Sound 3
Blanche Endive - Grégoire Motte & Gabriel Mattei
People in a faraday cage - Stéphanie Gygax
Il était deux fois - Gary Colin
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
Aurore Colbert - Marie Mons
La traversée - Magali Brueder
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Mökki n°2
Good Company - Paul Van der Eerden
Der Erste Rotkehlchen - Le livre
Saveurs imprévues et secrètes - Gilbert Lascault
Fluent - Laëticia Donval
Seoul Flowers & Trees - tribute to Lee Friedlander
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Le blanc nez - Fouss Daniel
Pectus Excavatum - Quentin Yvelin
Les soleils qui tournent ont des oreilles - coll. 











