Graphic Design Is (…) Not Innocent questions ingrained approaches, values and assumptions of graphic design in globalized societies. The publication aims to initiate a dialogue between designers, scholars, critics and commissioners, who investigate responsibilities, potentials, politics, limits and risks of designing visual communication. How innocent is graphic design? Whom is it addressing, whom is it in/excluding? What does it bring about? When defining the role and impact of visual communication, what future questions lie ahead?

Graphic Design Is (…) Not Innocent combines case studies and academic reflections, trying to sketch a common ground for basic research into the parameters and value systems of graphic design. It is a road trip between various possible conceptual challenges and praxis. It is a temporal inventory, without the claim of completeness. It is a question mark, as well as an exclamation mark. And it wants to stimulate critical thinking in graphic design.

Eros negro #2 - Demoniak
Le corps travesti - Michel Journiac
Retour d'y voir - n° 3 & 4 - Mamco
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Piano - Joseph Charroy
Titanic Orchestra - Julien Mauve
Dans la matrice : le design radical de Ken Isaacs - Susan Snodgrass
Débris N°2 - Théo Garnier Greuez
Burning Images, A History of Effigy Protests - Florian Göttke
L'arum tacheté de J-M. Bertoyas
Jean-Jacques a dit - Angèle Douche
Illusive prosody - Alex Beaurain
Vacuité 9090 - Jérémy Piningre
Le chateau enchanté - Atelier Mclane
Critique d'art n°56 













