Graphic Design Is (…) Not Innocent questions ingrained approaches, values and assumptions of graphic design in globalized societies. The publication aims to initiate a dialogue between designers, scholars, critics and commissioners, who investigate responsibilities, potentials, politics, limits and risks of designing visual communication. How innocent is graphic design? Whom is it addressing, whom is it in/excluding? What does it bring about? When defining the role and impact of visual communication, what future questions lie ahead?

Graphic Design Is (…) Not Innocent combines case studies and academic reflections, trying to sketch a common ground for basic research into the parameters and value systems of graphic design. It is a road trip between various possible conceptual challenges and praxis. It is a temporal inventory, without the claim of completeness. It is a question mark, as well as an exclamation mark. And it wants to stimulate critical thinking in graphic design.

Lavalse des tambours - Paul Rey
A l'origine - Anne-Émilie-Philippe
Le vieux père - Laurent Kropf
Alma Mater n°1
Halo - Julien Gobled
Image Canoë - Jérémie Gindre
Slanted 30 - Athens
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Email Diamant - Fabienne Radi
Tomber dans l'escalier - Jasper Sebastian Stürup
Rois de la forêt - Alain Garlan
Good Company - Paul Van der Eerden
Musée des Beaux-Arts - Pierre Martel
Délié - Baptiste Oberson
Mökki n°2
Dear Paul - Paul Van der Eerden
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras 













