Graphic Design Is (…) Not Innocent questions ingrained approaches, values and assumptions of graphic design in globalized societies. The publication aims to initiate a dialogue between designers, scholars, critics and commissioners, who investigate responsibilities, potentials, politics, limits and risks of designing visual communication. How innocent is graphic design? Whom is it addressing, whom is it in/excluding? What does it bring about? When defining the role and impact of visual communication, what future questions lie ahead?

Graphic Design Is (…) Not Innocent combines case studies and academic reflections, trying to sketch a common ground for basic research into the parameters and value systems of graphic design. It is a road trip between various possible conceptual challenges and praxis. It is a temporal inventory, without the claim of completeness. It is a question mark, as well as an exclamation mark. And it wants to stimulate critical thinking in graphic design.

Quand l’ocean se retire d’Henri C. - Billiam C. et Camille Carbonaro
Voir la Palestine, Contre-champs artistiques - Stefanie Baumann
Je dors - Je travaille - Valentine Schlegel
Gros Gris n°4 - Duel
Cyclone - Juliette Chalaye
It was a good day - Jeremy Le Corvaisier
Grilles - Zelda Mauger
La Bibliothèque grise - Jérôme Dupeyrat & Laurent Sfar
The Book Fight - Chihoi
Pectus Excavatum - Quentin Yvelin
Le dos des choses - Guillaume Goutal
Strates & Archipels - Pierre Merle
Keywording (Post) Contemporary Art - Greta Rusttt
Editer l’art – Leszek Brogowski 













