‘Feminisms’ (as a plural) is widely used today to draw attention to inequalities and to critique the status quo in limiting women’s roles/ positions/ lives/ potential. Art can offer a vision of future worlds, manifesting a desire for projecting change, playing with existing realities and conventions. Feminist Art Artivism and Activism, two sides of the same coin, arise where art approaches, develops or transforms into activism and vice versa, where activisms become artivisms. In both, art emerges in differing forms of political intervention, at both an individual, shared or collective level, apparent in actions, events, identifications and practices.
This volume wants to reveal the diversity of these practices and realities. Representing a range of critical insights, perspectives and practices from artists, activists, curators, academics and writers, it explores and reflects on the enormous variety of feminist interventions in the field of contemporary art, social processes, the public sphere and politics. In doing so, Feminist Art Activisms and Artivisms touches upon broader questions of cultural difference, history, class, economic position, ecology, politics, sexual orientation, and the ways in which these intersect.

Richly illustrated with c. 300 black and white illustrations and photos.
This is the first volume in the new PLURAL series. The series focuses on how the intersections between identity, power, representation and emancipation, play out in the arts and in cultural practices. The volumes in this series aim to do justice to the plurality of voices, experiences and perspectives in society and in the arts and to address the history and present and future meaning of these positions and their interrelations. PLURAL brings together new and critical insights from artists, arts professionals, activists, cultural and social researchers, journalists and theorists.
Editor: Katy Deepwell
Contributors: Linda Aloysius, Marissa Begonia, Sreyashi Tinni Bhattacharyya, Marisa Carnesky, Paula Chambers, Amy Charlesworth, Emma Curd, Katy Deepwell, Tal Dekel, Emma Dick, Lior Elefant, Christine Eyene, Abbe Leigh Fletcher, GraceGraceGrace, Alana Jelinek, Sonja van Kerkhoff, Alexandra Kokoli, Elke Krasny, Loraine Leeson, Laura Malacart, Rosy Martin, Alice Maude-Roxby, Kathleen Mullaniff, Louise O’Hare, Tanja Ostojić, Martina Pachmanová, Gill Park, Pune Parsafar, Roxane Permar, Anne Robinson, Stefanie Seibold, Pam Skelton, Mare Tralla, Christina Vasileiou, Camille Melissa Waring, Michelle Williams Gamaker, Virginia Yiqing Yang
Design: Lotta Lara Schröder
Series: PLURAL
Valiz, supported by Prins Bernhard Cultuurfonds and Middlesex University London| paperback | 448 pp. | 24 x 16,8 cm (h x w) | Engish

Dans la Lune - Fanette Mellier
Ludmilla Cerveny - Work
ARTZINES #1, Paris issue
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Farandole - Jérémie Fischer
America - Ayline Olukman, Hélène Gaudy
Zoom Age - Julien Auregan
Flynn zine # 1 - Flynn Maria Bergmann
Photographic Fields - Joël Van Audenhaege
Jérôme LeGlatin (avec Mel Crawford) - Le Crash
SKKS - Gilles Pourtier
Strates - Else Bedoux
Hmm ! - C. de Trogoff
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Promenade au pays de l'écriture - Armando Petrucci
Rasclose - Geoffroy Mathieu
The Book Fight - Chihoi
Critique d'art n°54
Pour une esthétique de l'émancipation - Isabelle Alfonsi
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Cf. - Pierre Olivier Arnaud
Teddy et le Grand Terrible - Orian Mariat.
Gruppen n°14 - Collectif
Saint Julien l'hospitalier Tome 2 - Claire Pedot
interférence - 3 - maycec
Tchat - Gary Colin
Hello tomato - Marion Caron & Camille Trimardeau
Dada à Zurich – Le mot et l’image (1915-1916)Hugo Ball
Piano - Joseph Charroy
Konrad Becker - Dictionnaire de réalité stratégique 











