
The establishment of a large number of small independent publishing houses fifteen years ago led to a revival of risography. Artists and designers from all over the world have installed a “Riso” in their studios to produce small print runs inexpensively and independently of large printing houses. Smaller publishers in Latin America still print exclusively on the Risograph on grounds of cost. The primitive stencil printing process has a huge colour spectrum and creates an interesting optical effect by means of spot colours and coarse screening, which gives the result a homemade look. In the book, factors like colour, paper, file preparation, printing, and processing are explained. Exploriso appears in the first year of the Discovered series.
214 pp.
101 black-white and 32 colour illustrations
thread-stitching with inserted adhesive binding as book-in-book

It was a good day - Jeremy Le Corvaisier
Je ne peux pas ne pas - Geneviève Romang
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Image Canoë - Jérémie Gindre
Holy Mountain - Maia Matches, Knuckles & Notch
La traversée - Magali Brueder
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon 



























