created on the occasion of her solo show at MEP in Paris, January 17 – February 16, 2020.

En collaboration avec MEP, Maison européenne de la photographie.
Ask the Dust makes one step closer to the minute, counts the speck of dust that the oblivion has not taken, explores the thin fissures where the ephemeral trace of a past life has found refuge. Following the example of John Adams in his opera I was looking at the ceiling and then I saw the sky, this act recounts a storm, a fictional catastrophe symbolizing the emotional shock of the protagonists. The storm, considered to a love story, turns upside down their worlds, crumble the reality and redefines a new way of life. The journey is following the struggle against the devastation and the transformation of the inner life. Alone in his room, the Man resides between a state of arousal and dream. He stares at the ceiling, the roof is collapsing under the weight of the lightning bolt, he’s facing the sky. This catastrophe from which we will only keep the signification without evoking any reason or content, is at the core of my approach by extending it to the use of the medium. The dust related to the analog practice represents what is infinitely large as well as the others alterations, who become a full-fledged subject. Through this « ballad between the infinitely large and the infinitely small » (Sophie Ristelhueber) I am writing the resurgence of an impression, the rise of a memory generated by the encounter of familiar places, the remembrance through an object and the spirituality that a landscape reveals in us. We are entering in an other space, where the body is absent, a space that doesn’t know his own limit and disappear in fragments of memories which are recomposing. Leave it to the wind to decide what traces are left behind in the dust.
40 pages
Paper: Favini Crush Almond and Fedrigoni Freelife Vellum

Tomber dans l'escalier - Jasper Sebastian Stürup
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Awakening at the inn of the birds - Aymeric Vergnon
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
People in a faraday cage - Stéphanie Gygax
MENU メニュー - Wataru Tominaga
Dear Paul - Paul Van der Eerden
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
interférence - 2 - maycec
Je ne peux pas ne pas - Geneviève Romang
Gruppen n°13 - Collectif
Gros Gris n°4 - Duel
An artist - Malena Pizani
Manuel pour formes et constructions nomades - Julien Rodriguez
Trous gris - Michel Vachey
Papier magazine n°06 - Coupe du monde
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Musée des Beaux-Arts - Pierre Martel
Mariken Wessels — Miss Cox
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Délié - Baptiste Oberson
Roven n°4
Karbone Magazine n°8 - Parasite
Dessins pour Rugir - Virginie Rochetti
Paysageur n°3 - Mobiles
Le vieux père - Laurent Kropf
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Good Company - Paul Van der Eerden
Optical Sound 2
The Book Fight - Chihoi
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Aurore Colbert - Marie Mons
Holy etc. - Fabienne Radi
Eldorado maximum - Les commissaires anonymes
Design sous artifice : la création au risque du machine learning - Anthony Masure
À partir de n°1 - Coll.
Prose postérieure - Les commissaires anonymes
Matriochka - Fanette Mellier (3ème ed.)
Holy Mountain - Maia Matches, Knuckles & Notch
Pectus Excavatum - Quentin Yvelin 





















