
Zdanevich’s Berlin report is translated and introduced by Roman Utkin, the author of a monograph on Russian Culture in Weimar Berlin. The volume also includes letters sent by Viktor Shklovsky to Zdanevich, whom he subsequently hosted in Berlin. Translated and introduced by Jyrki Siukonen, these letters, like all other materials are presented with extensive annotations and commentaries.
This volume also presents Zdanevich’s 1914 words-in-freedom poem gaROland. Translated and introduced by the poet Eugene Ostashevsky, the poem is dedicated to the aviator Roland Garros and marks Zdanevich’s initiation into Futurist poetry.

Editer l’art – Leszek Brogowski
Entretiens – Jérôme Dupeyrat
Optical Sound 3
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Instructional Photography: Learning How to Live Now - Carmen Winant
Holyhood, vol. 1 — Guadalupe, California - Alessandro Mercuri
Rupture (fragments) - Benjamin Monti, Jean-Charles Andrieu de Levis
Artzines # 10 - Show & Tell #2 NY Special
Critique d'art n°55
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
It was a good day - Jeremy Le Corvaisier
Blaclywall by Sihab Baik - Claude Closky
People in a faraday cage - Stéphanie Gygax
Burning Images, A History of Effigy Protests - Florian Göttke
Pectus Excavatum - Quentin Yvelin
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Talweg 6 - La distance
Der Erste Rotkehlchen - Le livre
本の本の本 - antoine lefebvre editions,
Polygone n°01 - Amour - Collectif
Le blanc nez - Fouss Daniel
Catalogue Art Guys - That's painting productions, Bernard Brunon
A l'origine - Anne-Émilie-Philippe
Bacon le Cannibale - Perrine Le Querrec
Keywording (Post) Contemporary Art - Greta Rusttt 











