Collected here are 100 faces by the artist Sam Porritt, drawn between the years 2005 and 2008. These drawings, selected from over 300, have all been made using the same materials; china ink applied with a brush to sheets of A3 paper. The immediacy of working with brush and ink and the range of possibility inherent in the blank page allowed the artist space to follow the direction his initial marks dictated. Through the undulating line of the brush and the tapering off of the ink we read speed and tone, the arch of an eyebrow or the crease of a cheek, and inevitably temperament and expression.

Looking at page after page our eye adjusts to the language of marks. Some are drawn with a certain economy; a decisive line while others are over-wrought, unsettled and barely resemble a face at all. It is striking how quickly the lines become animate, how little time it takes us to recognise a face, assess its character and its mood.
Porritt has said that his only guiding principles were that he make the first mark when his mind was as blank as the piece of paper before him, and that each face should be different to what had gone before. The cumulative effect of his search for unexpected expressions and characters is this drawn assembly: an invoked cast or an audience of self-portraits? Perhaps each is a fleeting facet of himself that looks on as it joins the ranks of those that have come before.
200 pages
edited by
Philippe Desarzens
Drawings by
Sam Porritt
Text by Joanna Fiduccia
Poems by Betsy Porritt

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Délié - Baptiste Oberson
Imagos - Noémie Lothe
Revue Les Saisons n°3
Le blanc nez - Fouss Daniel
Link Human / Robot - Collectif dir. Emmanuelle Grangier
À partir de n°1 - Coll.
Augure - Rodrigue de Ferluc
Super Kiblind 3
Red Horse - Sasha Kurmaz
Slanted 24 - Istanbul
movement in squares - Stefanie Leinhos
Optical Sound 3
Occiput Totem - Bill Noir
Piano - Joseph Charroy
La troisième oreille et autres textes + CD - Bryan Lewis Saunders
UP8 — Pour une pédagogie de l'architecture
An Egyptian Story - Thibaut Kinder
Pø om Pø - Kaja Meyer
Critique d'art n°54
Image Canoë - Jérémie Gindre
On dirait le sud - Anne-Sophie Turion
Typologie – La tente de camping
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Dessins pour Rugir - Virginie Rochetti
Le corps travesti - Michel Journiac
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Le chateau enchanté - Atelier Mclane
Pectus Excavatum - Quentin Yvelin
The Barefoot Promise - Pierre Leguillon
il y avait une ville - Laeticia L'Heureux
Capolavori - Livio Vacchini
Radio-Art - Tetsuo Kogawa
Un essai sur la typographie - Eric Gill
Reading - Ilan Manouach
Revue La Ronde n°14
Eros negro #2 - Demoniak
Watch out - Anne-Émilie-Philippe
Retour d'y voir - n° 1 & 2 - Mamco
Je ne peux pas ne pas - Geneviève Romang
Talweg 6 - La distance
Prose postérieure - Les commissaires anonymes
SKKS - Gilles Pourtier
Flynn zine # 1 - Flynn Maria Bergmann
Modern Instances, The Craft of Photography - Stephen Shore
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon 



