printed and published by Knust/Extrapool,
as part of Knust’s book residency projects Art Prison #15,
November 2019

– edition: 330 copies
– 19,5 cm x 27,5 cm
– 44 pages
– multiple colours stencilprinted (risograph & ricoh)
– perfect bound, Swiss bound
This publication is the result of a book-residency of 14 days, in which Charlotte Ager worked together with Knust/Extrapool. It’s part of Art Prison, an ongoing project in which an artist gets invited to come and make a stencilprinted book together with Knust/Extrapool. During this Art Prison the documentary ‘Knust, the Riso print pioneers’ was also filmed by Ivana Smudja.

A l'origine - Anne-Émilie-Philippe
Seoul Flowers & Trees - tribute to Lee Friedlander
Dans la matrice : le design radical de Ken Isaacs - Susan Snodgrass
Slow Down Abstractions - Adrien Vescovi
Spécimen Typographique : No Ko - Loris Pernoux
La prise - Florian Javet
Optical Sound 3
Le vieux père - Laurent Kropf
Dark optics - David Claerbout
Perturbations - Rosaire Appel
Deep state - Mathieu Desjardins
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
KUHANE O TE AKI - Stephie Devred
Baron - Richard Kern
L'arum tacheté de J-M. Bertoyas
Mökki n°4
The Shelf - Journal 3
Assembly - Sam Porritt
Tchat - Gary Colin
Erlebnispark - Paul & Carla
Laura Mulvay - Fetichisme et curiosité
Gros Gris n°4 - Duel
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Distant Egghug - Peter McDonald
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Voir la Palestine, Contre-champs artistiques - Stefanie Baumann
Prose postérieure - Les commissaires anonymes
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Atopoz - Collectif
Konrad Becker - Dictionnaire de réalité stratégique
It was a good day - Jeremy Le Corvaisier 













