This book of multivalent narratives began with a simple premise: the collection of sheets of paper—ripped from books—featuring multiple photographs and inlaid narratives. Across a decade of working on other projects involving pulling images apart from one another, excising them from the page and recontextualizing them as new sets, American artist Carmen Winant (born 1983) diligently collected disparate sheets, skimming them off the top of her other ongoing collections. The book that has resulted from that work is wide-ranging in terms of subject—with sheets depicting rabbinical study, dog training, surgical birth, methods of tantric sex, patterns of the sunset—yet specific in approach and application. Her constructed pages trouble how the idea of “theme” operates as the engine of a book, instead taking the act of arranging, both in discrete pages and as a whole, as its own meaningful subject.

Carmen Winant (born 1983) is an artist and writer based in Columbus, OH, where she is the Roy Lichtenstein Endowed Chair of Studio Art at Ohio State University. Winant’s recent projects have been shown at the Museum of Modern Art and the SculptureCenter, New York; Henie Onstad Kunstsenter, Oslo; Wexner Center of the Arts, Columbus; Kunsthal Charlottenborg, Copenhagen; and the CONTACT Photography Festival, Toronto. Winant’s recent artist books, My Birth and Notes on Fundamental Joy, were published by SPBH Editions, ITI Press, and Printed Matter, Inc. Winant’s work is included in the collections of the Museum of Modern Art, New York; Minneapolis Institute of Art; and the Henie Onstad Kunstsenter, Oslo. Winant was a recipient of a Guggenheim Fellowship in photography in 2019 and a Pew Center for Arts & Heritage grant in 2020. She currently holds an FCA Artist Grant and is the winner of the Images Vevey Book Award 2021/2022. Winant is the mother of two sons, Carlo and Rafa, who she shares with her partner, Luke Stettner.
Number of pages: 320
Type of printing: Offset

La Colombe de Kant - Alice BRIÈRE-HAQUET / Émilie VAST
Pectus Excavatum - Quentin Yvelin
La construction - Perrine Le Querrec
Poster Tribune # 11
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Musée des Beaux-Arts - Pierre Martel
Dans la Lune - Fanette Mellier
Bande Annonce - Cinéma & Bande Dessinée - Coll.
Dear Paul - Paul Van der Eerden
9 octobre 1977 - Roberto Varlez
De lave et de fer - Laurent Feynerou
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Titanic Orchestra - Julien Mauve
Flower finds - Orianne Jeanselme
Le singe et le bijoux - Roxane Lumeret
š! #39 'The End' - coll.
Sans titre - Benjamin Hartmann
Tchat - Gary Colin
本の本の本 - antoine lefebvre editions,
Editer l’art – Leszek Brogowski
Lavalse des tambours - Paul Rey
interférence - 3 - maycec
Le dos des choses - Guillaume Goutal
Umami - Ariane Vonmoos
Trous gris - Michel Vachey
Wayfaring - Patrick Messina, André S. Labarthe
Entretiens – Jérôme Dupeyrat
Aurore Colbert - Marie Mons
Cyclone - Juliette Chalaye
Pénurie - Zivo, Jérôme Meizoz
La Typographie post-binaire au delà de l'écriture inclusive - Camille Circlude
Les soleils qui tournent ont des oreilles - coll.
Jean-Jacques a dit - Angèle Douche
Watch out - Anne-Émilie-Philippe
Jířa - Lucie Lučanská
Comic Book (Untitled) - Stéphanie Leinhos
La France de tête #04
La Typographie Moderne - Robin Kinross
Éclats III - Athanor
Anderlecht — Molenbeek - Pierre Blondel
Sights - Henry McCausland
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Gros Gris n°4 - Duel
Blaclywall by Sihab Baik - Claude Closky
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Papier magazine n°06 - Coupe du monde
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Temps d'arrêt - Etienne Buyse
Zoom Age - Julien Auregan
On the Soft Edge of Space - Marleen Sleeuwits
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez 















