« The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.”

In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
Baltz’s interview is fully annotated with an introductory essay by Duncan Forbes.
120 pages

Strates & Archipels - Pierre Merle
Le corps travesti - Michel Journiac
Débris N°2 - Théo Garnier Greuez
Critique d'art n°54
Marcel Proust en cinq minutes — Jackson B. Smith
Le singe et le bijoux - Roxane Lumeret
Aristide n°4
Ce que l'histoire fait au graphisme - Clémence Imbert
Sans titre - Benjamin Hartmann
Der Erste Rotkehlchen - Le livre
Étrangement seuls - Jean-Pascal Princiaux
Le déclin du professeur de tennis - Fabienne Radi
Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Un essai sur la typographie - Eric Gill
Tu peux répéter ? – Écrire, parler, expérimenter les langues - Marianne Mispelaëre
Wayfaring - Patrick Messina, André S. Labarthe
L’intérêt à agir. Quand l’art s’inquiète du droit des étrangers et du droit d’auteur - Coll.
Saveurs imprévues et secrètes - Gilbert Lascault 













