« The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.”

In 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare.
Baltz’s interview is fully annotated with an introductory essay by Duncan Forbes.
120 pages

Temps d'arrêt - Etienne Buyse
Dans la matrice : le design radical de Ken Isaacs - Susan Snodgrass
Pectus Excavatum - Quentin Yvelin
Imagos - Noémie Lothe
Prose postérieure - Les commissaires anonymes
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
À partir de n°1 - Coll.
Seoul Flowers & Trees - tribute to Lee Friedlander
Les Grands Ensembles - Léo Guy-Denarcy
Dédale - Laurent Chardon
Piano - Joseph Charroy
Dernier royaume - Quentin Derouet
Gros Gris n°4 - Duel
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Before Science - Gilles Pourtier, Anne-Claire Broc'h
La traversée - Magali Brueder
Illusive prosody - Alex Beaurain
Instructional Photography: Learning How to Live Now - Carmen Winant
Le blanc nez - Fouss Daniel
Aurore Colbert - Marie Mons
Titanic Orchestra - Julien Mauve
Gruppen n°13 - Collectif
Optical Sound 2 













