”Like a celebrity’s sunglasses, Alex Besikian’s images actually show everything they want to hide: from intricate, long and carefully crafted photomontages made from photographs of traces & imprints (scotch tape, peeling paint on a wall, broken shop windows, etc.). These images proceed from successive coverings and erasures, deletions, withdrawals. Alex Besikian’s colored surfaces are empty screens that mask missing parts.

On the « Foreshadows » series, as the title suggests, Besikian worked from photographs of shadows cast by objects or cast on surfaces – photographs taken by himself which he combined together but remain invisible to the public. As if emptiness and color had combined to escape the lines and the drawing.
Privilege of the shadow to remain elusive, to flee those who seek to seize it, to project, to cover without canceling, to tint without materiality. Privilege and greatness of the art of Alex Besikian to compete with the shadow, to express what is not, to give shapes and colors to what is missing.”
On the « Foreshadows » series, as the title suggests, Besikian worked from photographs of shadows cast by objects or cast on surfaces – photographs taken by himself which he combined together but remain invisible to the public. As if emptiness and color had combined to escape the lines and the drawing.
Privilege of the shadow to remain elusive, to flee those who seek to seize it, to project, to cover without canceling, to tint without materiality. Privilege and greatness of the art of Alex Besikian to compete with the shadow, to express what is not, to give shapes and colors to what is missing.”
— Laurent Bruel (Editions Matière), 2023

Illusive prosody - Alex Beaurain
Philonimo - Le Porc-épic de Schopenhauer - Alice Brière-Haquet, Olivier Philipponneau
Modern Instances, The Craft of Photography - Stephen Shore
Tropical Reading: Photobook and Self-Publishing
Le Parfum du Silence - Bonnie Colin
Sillo n°3 - Le Fauve
La peinture c'est comme les pépites - Pierre Yves-Hélou + Tirage
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Gruppen n°13 - Collectif
Le dos des choses - Guillaume Goutal
IBM – Graphic Design Guide from 1969 to 1987
Gros Gris n°4 - Duel
Planète B - Gwenola Wagon
Détours - Vincent Chappuis
Salt Crystal - Fabio Parizzi
Radio-Art - Tetsuo Kogawa
16 x 421 - Lorraine Druon
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Optical Sound 3
Les Grands Ensembles - Léo Guy-Denarcy
Entretiens – Jérôme Dupeyrat
Piano - Joseph Charroy
On the Soft Edge of Space - Marleen Sleeuwits
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Cuadernos - Henry Deletra
Graphzine Visages
Citrus maxima xparadisi - coll.
Wayfaring - Patrick Messina, André S. Labarthe
Le Dépli - Loïc Largier
Les voiles de Sainte-Marthe - Christian Rosset
ARTZINES #1, Paris issue
Burning Images, A History of Effigy Protests - Florian Göttke
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Morph - Camilo García A.
Le chateau enchanté - Atelier Mclane
Le seuil - Quentin Yvelin
A Journal of Militant Sound Inquiry – Vol. 1 – Naming the Moment - Ultra-red
Flynn zine # 1 - Flynn Maria Bergmann
Lili, la rozell et le marimba / revue n°2
Rasclose - Geoffroy Mathieu
Sans titre - Chris Kiss 







