”Like a celebrity’s sunglasses, Alex Besikian’s images actually show everything they want to hide: from intricate, long and carefully crafted photomontages made from photographs of traces & imprints (scotch tape, peeling paint on a wall, broken shop windows, etc.). These images proceed from successive coverings and erasures, deletions, withdrawals. Alex Besikian’s colored surfaces are empty screens that mask missing parts.

On the « Foreshadows » series, as the title suggests, Besikian worked from photographs of shadows cast by objects or cast on surfaces – photographs taken by himself which he combined together but remain invisible to the public. As if emptiness and color had combined to escape the lines and the drawing.
Privilege of the shadow to remain elusive, to flee those who seek to seize it, to project, to cover without canceling, to tint without materiality. Privilege and greatness of the art of Alex Besikian to compete with the shadow, to express what is not, to give shapes and colors to what is missing.”
On the « Foreshadows » series, as the title suggests, Besikian worked from photographs of shadows cast by objects or cast on surfaces – photographs taken by himself which he combined together but remain invisible to the public. As if emptiness and color had combined to escape the lines and the drawing.
Privilege of the shadow to remain elusive, to flee those who seek to seize it, to project, to cover without canceling, to tint without materiality. Privilege and greatness of the art of Alex Besikian to compete with the shadow, to express what is not, to give shapes and colors to what is missing.”
— Laurent Bruel (Editions Matière), 2023

Jean-Marc Bodson - États des lieux
Le singe et le bijoux - Roxane Lumeret
People in a faraday cage - Stéphanie Gygax
It was a good day - Jeremy Le Corvaisier
Menus Plaisirs - Lisa Mouchet
Turlupin N°1 \ Soumission — Michael Dans
Prose postérieure - Les commissaires anonymes
Saint Ferreol - Trente plats - Jérémy Piningre & Aëla Mäi Cabel
The Shelf - Journal 3
Au chevet des milieux : L'émancipation par l'outil manuel - Yetecha Negga
Calendrier des révoltes - Matthieu Saladin
Editer l’art – Leszek Brogowski
Le blanc nez - Fouss Daniel
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
Elk - Jocko Weyland
Face the Day - Kitty Crowther
We want to look up at the Sun, but could the Sun be looking down on us? - Rudy Guedj & Olivier Goethals
Tools of Encouragement - Erlend Peder Kvam
L'abécédaire d'un typographe - Gerrit Noordzij; Jost Hochuli
Morph - Camilo García A.
Deep state - Mathieu Desjardins
Fluent - Laëticia Donval
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Seoul Flowers & Trees - tribute to Lee Friedlander
Sillo n°3 - Le Fauve
Syrtis Major - Barbara Meuli, Antoine Fischer
Idoine & Nayoung Kim
Le Patou, la pomme et son jus - Robin Garnier-Wenisch
[piʃaˈsɐ̃w̃] - antoine lefebvre editions,
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier 







