In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

À partir de n°1 - Coll.
Lavalse des tambours - Paul Rey
УYY - Yelena Yemchuk
Shanghai Cosmetic - Leslie Moquin
Autodrône - Divine Vizion
La troisième oreille et autres textes + CD - Bryan Lewis Saunders
Optical Sound 3
America - Ayline Olukman, Hélène Gaudy
Critique & création - L.L. de Mars
Augure - Rodrigue de Ferluc
Superbemarché - Coll.
The Shelf - Journal 3
Editer l’art – Leszek Brogowski
Comment quitter la terre ? - Jill Gasparina, Christophe Kihm, Anne-Lyse Renon
Pik Nik à Talinn - Thomas Chmp
Echangisme et Seconde main - Fanny Laulaigne
Barrage de Sarrans - Sandrine Marc
Der Erste Rotkehlchen - Le livre
Objets Minces - Collectif 















