In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Spectres n°4 - Mille voix
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
1994 - 2001 - Lorenzo Castore
Home Cinema - Sarah-Louise Barbett
Les voiles de Sainte-Marthe - Christian Rosset
Blaclywall by Sihab Baik - Claude Closky
Le Dépli - Loïc Largier
Avec ce qu'il resterait à dire - Anne Maurel
Optical Sound 2
The Letter A looks like The Eiffel Tower - Paul Andali
Kriss Kross 2019 - Genêt Mayor
Absorber les fantômes - coll
twen [1959–1971]
ICCMHW - Atelier Choque Le Goff
Strates & Archipels - Pierre Merle
Titanic Orchestra - Julien Mauve
Eros negro n°3 - Démoniak
Lili, la rozell et le marimba / revue n°2
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Je ne peux pas ne pas - Geneviève Romang
Good Company - Paul Van der Eerden
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Tempête après tempête - Rebekka Deubner
Critique & création - L.L. de Mars
Objets Minces - Collectif
Deep state - Mathieu Desjardins
Seoul Flowers & Trees - tribute to Lee Friedlander 















