In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Sights - Henry McCausland
Critique & création - L.L. de Mars
Strange Design - Ed. Jehanne Dautrey et Emanuele Quinz.
A l'origine - Anne-Émilie-Philippe
Un cahier - Michel Quarez
Image Canoë - Jérémie Gindre
Détours - Vincent Chappuis
Ce que l'histoire fait au graphisme - Clémence Imbert
Idoine & Sissy Hankshaw
Pénurie - Zivo, Jérôme Meizoz
Vacuité 9090 - Jérémy Piningre
Editer l’art – Leszek Brogowski
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Yerevan 1996/1997 - Ursula Schulz-Dornburg
Les Grands Ensembles - Léo Guy-Denarcy
Cruiser l'utopie – L'après et ailleurs de l'advenir queer - José Esteban Muñoz
Seoul Flowers & Trees - tribute to Lee Friedlander 















