In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Économies silencieuses et audaces approximatives - Guy Chevalier [& coll.]
Strates - Else Bedoux
Tools #04 – Couper / To Cut
L'arum tacheté de J-M. Bertoyas
Editer l’art – Leszek Brogowski
Salt Crystal - Fabio Parizzi
Flower finds - Orianne Jeanselme
Christina Forrer - Don’t Swallow Your Tongue
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
BEAUTY MEE EYE - Luc Natral
Prototype 02 - morcellement
Le Dépli - Loïc Largier
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Papier magazine n°06 - Coupe du monde
Home Cinema - Sarah-Louise Barbett
Pluie - Coll. - Lagon revue
Gros Gris n°4 - Duel 















