In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Dark optics - David Claerbout
moj’am al arabeia - Farah Khelil & antoine lefebvre editions
KUHANE O TE AKI - Stephie Devred
interférence - 2 - maycec
Le seuil - Quentin Yvelin
Rasclose - Geoffroy Mathieu
Anémochorie - Antonin Detemple
De tels baisers - Jul Gordon
1994 - 2001 - Lorenzo Castore
Theatre - Dan Graham
America - Ayline Olukman, Hélène Gaudy
In the presence of being absent... Arrgh. - Stéphanie Leinhos
IBM – Graphic Design Guide from 1969 to 1987
Radio-Art - Tetsuo Kogawa
Dirty fish - Léa Abaroa
Reading - Ilan Manouach
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Censored n°05 - Transmission
Pectus Excavatum - Quentin Yvelin
УYY - Yelena Yemchuk
Barrage de Sarrans - Sandrine Marc
Wayfaring - Patrick Messina, André S. Labarthe 















