In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Revue Les Saisons n°3
Calendrier des révoltes - Matthieu Saladin
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
movement in squares - Stefanie Leinhos
Heads Together – Weed and the Underground Press Syndicate - David Jacob Kramer
How Many - Nathalie Du Pasquier
Censored n°05 - Transmission
Chausse-trape - Henri Crabières
Slow Down Abstractions - Adrien Vescovi
Tools of Encouragement - Erlend Peder Kvam
Gruppen n°13 - Collectif
Menus Plaisirs - Lisa Mouchet
Feminist Art Activisms and Artivisms - Katy Deepwell (ed.)
Three Dice - Aymeric Vergnon
Titties - Nour Hifaoui
BEAUTY MEE EYE - Luc Natral
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Fièvre - Ronan Bouroullec
Editer l’art – Leszek Brogowski
L'amie de mes rêves - Violette Gorgiard
Dédale - Laurent Chardon
Janitor of Lunacy - Bryan Campbell
Après la révolution – numéro 1
Syrtis Major - Barbara Meuli, Antoine Fischer
Le déclin du professeur de tennis - Fabienne Radi
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Diario de Plantas (2 volumes) - Gabriel Orozco
Slikmiks - Mikkel Sommer / Mekl
Le vieux père - Laurent Kropf
IRL - In real life n°1 - Coll.
How to Become the Daughters of Darkness - Coll.
Aurore Colbert - Marie Mons 















