In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Critique d'art n°56
Éclats III - Athanor
Incipit - Aymeric Vergnon
Seoul Flowers & Trees - tribute to Lee Friedlander
Télégraphes de l'Utopie – L'art des avant-gardes en Europe Centrale 1918-1939 - Sonia de Puineuf
Poster Tribune # 11
Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Artzines # 10 - Show & Tell #2 NY Special
Guten Tag - Pablo Tomek
Pectus Excavatum - Quentin Yvelin 















