In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Ellipse - Ismail Alaoui-Fdili
Télégraphes de l'Utopie – L'art des avant-gardes en Europe Centrale 1918-1939 - Sonia de Puineuf
Sans titre - Benjamin Hartmann
Karbone Magazine n°8 - Parasite
Roven n°5
Tools of Encouragement - Erlend Peder Kvam
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel
Musée des Beaux-Arts - Pierre Martel
Gros Gris n°4 - Duel
Artzines # 10 - Show & Tell #2 NY Special
Dear Paul - Paul Van der Eerden
Plus c'est facile, plus c'est beau : prolégomènes à la plus belle exposition du monde - Éric Watier
La construction - Perrine Le Querrec
Strates & Archipels - Pierre Merle
Talweg 6 - La distance
Le blanc nez - Fouss Daniel 















