In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Graphic Design Is (…) Not Innocent - Ingo Offermanns
Pénurie - Zivo, Jérôme Meizoz
Vases Communicants - Hélène Drénou
Lazy Painter - Angela Gjergjaj, Jordi Bucher and Mirco Petrini
À partir de n°1 - Coll.
Intérieurs - Claude-Hubert Tatot
A l'origine - Anne-Émilie-Philippe
Der Erste Rotkehlchen - Le livre
Halogénure #04
La Grande révolution - Une histoire de l'architecture féministe - Dolores Hayden
Gros Gris n°4 - Duel
Jardín de mi padre - Luis Carlos Tovar
A Compilation Of Contemporary Letter Designs
Comic Book (Untitled) - Stéphanie Leinhos
Les voiles de Sainte-Marthe - Christian Rosset
Critique d'art n°56
Thierry Tillier No Future - OR BOR #5
Hérésie Étiologique - coll.
Revue Les Saisons n°3
L'arum tacheté de J-M. Bertoyas
Anthologie Douteuses (2010—2020) - Élodie Petit & Marguerin Le Louvier
Les glaciers - Lorraine Druon
Le style anthropocène - Philippe Rahm
Mökki n°4
Paravents - Eva Taulois
De tels baisers - Jul Gordon
Poèmes - Yvonne Rainer
Dear Paul - Paul Van der Eerden
Dernier royaume - Quentin Derouet 















