In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

twen [1959–1971]
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
< - Gabriel Kuri
Eros negro n°4 - Démoniak
The Barefoot Promise - Pierre Leguillon
Tierra Mágica - Yannick Cormier, Candice Moise
L'inventaire des destructions - Éric Watier
Titties - Nour Hifaoui
Gruppen n°13 - Collectif
À partir de n°1 - Coll.
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Red Horse - Sasha Kurmaz
CURIOSITY — David Lynch
Radio-Art - Tetsuo Kogawa
Typologie – La tente de camping
La nuit, tu mens - Ambre Husson
Critique d'art n°55
Habitante 2 - Coll.
Odette - Benoît Le Boulicaut
Bande Annonce - Cinéma & Bande Dessinée - Coll.
It was a good day - Jeremy Le Corvaisier
Oblikvaj 4 - Last minute Shodo - Thomas Perrodin, Ensemble Batida
The Shelf - Journal 3 















