In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Slanted 30 - Athens
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Poster Tribune # 11
Musée des Beaux-Arts - Pierre Martel
Aurore Colbert - Marie Mons
MegaOctet Verbateam
Illusive prosody - Alex Beaurain
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
The Letter A looks like The Eiffel Tower - Paul Andali
Pénurie - Zivo, Jérôme Meizoz
Après la révolution – numéro 1
Dessins pour Rugir - Virginie Rochetti
America - Ayline Olukman, Hélène Gaudy 















