In fields that produce carefully authored compositions, such as architecture, the chance arrangements of material grain, patinas, or other traces of matter’s resistance to orderly control are sometimes allowed an expression in the final work. In these instances they are viewed as desirable features, or evidence of a work’s architectonic authenticity. Moreover, the effects of weathering, natural forces, or structural deformation over time are often seen as informal enhancements to the rigidity of precise compositions. The outcome of a visual studies seminar by architect Andrew Zago, this volume gathers photographic evidence of myriad instances of material happenstance, also called accidents.

528 p, ills colour & bw, 14 x 20 cm, pb, English

Crise de foie - Christine Demias
Les Mains sales - Collectif
L'inventaire des destructions - Éric Watier
Planning - Pierre Escot
The Shelf - Journal 3
Bienvenue à Colomeri ! - Hécate Vergopoulo,
Le blanc nez - Fouss Daniel
Aurore Colbert - Marie Mons
Party Studies – Vol. 1 – Home gatherings, flat events, festive pedagogy and refiguring the hangover
Teddy et le Grand Terrible - Orian Mariat.
Retour d'y voir - n° 1 & 2 - Mamco
De tels baisers - Jul Gordon
Dessins pour Rugir - Virginie Rochetti
UPO 2 - J'aimerai être là - Xenia Naselou
interférence - 3 - maycec
Papier magazine n°06 - Coupe du monde
Norovirus - Orgie en mers chaudes - Claude Grétillat
Le corps travesti - Michel Journiac
Watch out - Anne-Émilie-Philippe
Illusive prosody - Alex Beaurain
Fluent - Laëticia Donval 















