New Aesthetics in Book Design

From sheets of papyrus to the mass press-printed volumes as we know them today, books as we know them have come a long way. Although digital technology has impacted how we consume information, book design has survived as a means of showcasing creativity and craftsmanship, as books themselves remain important sources of inspiration and knowledge.
A Book on Books showcases some of the world’s best book design work in celebrating the designers’ contributions to preserving reading culture. It also captures the voices of key influencers from publishing, printmaking, bookfair-organising, and bookshop-owning standpoints, as they continue to play a crucial role in keeping the book-making industry alive in the future.
Specs: 314pp / 190 x 255mm (H)
Format: Swiss binding with dust jacket
Full colour throughout

Prototype 02 - morcellement
Pas vu Pas pris - Collectif, Olivier Deloignon, Guillaume Dégé
Retour d'y voir - n° 1 & 2 - Mamco
Strannberg – The Chauvinist Manifesto - Samuel Nyholm / Sany
Le Parfum du Silence - Bonnie Colin
Artzines # 10 - Show & Tell #2 NY Special
Dernier royaume - Quentin Derouet
RÉVÉSZ LÁSZLÓ LÁSZLÓ , Not Secret
Courir - David Simpson
The life of Ruben - Bernardo Sousa Santos
RISO L’Écureuil de James - Liuna Virardi
Marginalia - Clément Laigle
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Norovirus - Orgie en mers chaudes - Claude Grétillat
Marc's Souvenirs - Marc Hennes
š! #39 'The End' - coll.
Hérésie Étiologique - coll.
Beatmap - Alex Besikian
Der Erste Rotkehlchen - Le livre
Baron - Richard Kern
Gruppen n°14 - Collectif
Dictionary - Claude Closky
Le chateau enchanté - Atelier Mclane
BIC011 Montes - Braulio Amado
Chausse-trape - Henri Crabières
Party Studies – Vol. 2 – Underground clubs, parallel structures and second cultures
Jardín de mi padre - Luis Carlos Tovar
Collective Design : Alison & Peter Smithson
Denver Mosaic 1961 - René Heyvaert
Intérieur - Samoth Trauberchel
Halogénure #04
Documents relatifs à l'édition pirate du Traité du style de Louis Aragon par Gérard Berréby
Spécimen Typographique : No Ko - Loris Pernoux 





























