Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Just married - Arthur Mirat
Vive la retraite - Pauline Rheims
Saint Julien l'hospitalier Tome 3 - Claire Pedot
Wayfaring - Patrick Messina, André S. Labarthe
Roven n°4
Dark optics - David Claerbout
Sights - Henry McCausland
Le Choix du peuple - Nicolas Savary, Tilo Steireif
Acteurs d'un film gravé. Docteur A. Infirmier O. - Annabelle Dupret, Olivier Deprez et Adolpho Avril
Cuadernos - Henry Deletra
Démontage - Fred Fivaz
Atopoz - Collectif
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Mökki n°4
Good Company - Paul Van der Eerden
Holy Mountain - Maia Matches, Knuckles & Notch
Hideous - Thomas Perrodin, Néoine Pifer
Mariken Wessels — Miss Cox
Flux, une société en mouvement - Coll.
Rasclose - Geoffroy Mathieu
Fluent - Laëticia Donval
Dédale - Laurent Chardon
The white bird - Harrison Miller 









