Stickers in the urban landscape engage with public spaces in a direct manner. Public space is integral to people’s ability to express and claim the right to the city, « not merely a right of access to what already exists, but a right to change it after our heart’s desire » (David Harvey, 2003). Stickers are ideal for this task, they are cheap to make, they stick to any surface and are * hard to clean. Many protest stickers are attempts to persuade, to bring attention to urgent themes, or are a form of territorial space-claiming. Whatever the goal, stickers participate in public debates transforming the public space into a bulletin board. — Matt Plezier

2 color Risography on pink recycling paper · center fold is a label sheet with 14 stickers · loop stapled · edition of 300 copies

Manifeste d'intérieurs ; penser dans les médias élargis - Javier Fernández Contreras
Tropism - Nhu Xuan Hua
9 octobre 1977 - Roberto Varlez
Radio-Art - Tetsuo Kogawa
Dessins pour Rugir - Virginie Rochetti
Keywording (Post) Contemporary Art - Greta Rusttt
Optical Sound 3
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Après la révolution – numéro 1
Burning Images, A History of Effigy Protests - Florian Göttke
It was a good day - Jeremy Le Corvaisier
Sillo n°3 - Le Fauve
Talweg 6 - La distance
Un essai sur la typographie - Eric Gill
Una Silla Plegada ( A Folded Chair) - José Quintanar
Mosaïque d'asphalte - Jack Torrance 









