People of the Mud is a powerful new series by Berlin-based US-Dominican artist Luis Alberto Rodriguez, made collaboratively amongst the communities of County Wexford in Ireland, where ancient tradition and modern life rub shoulders daily.

With a background in professional dance, Rodriguez’s work pays tribute to the metaphorical weight of centuries of physical labour behind cultivating the landscape and maintaining cultural heritage. Images of scarred limbs and hands, weathered faces and choreographed bodies appear as a cartography of this labour, reflecting how culture both shapes and is shaped by individuals. Elsewhere, we see the exaggerated glamour of modern female Irish dancers taken out of the glitzy ballrooms and into the fields, creating a rupture across time and space.
While in Wexford, Rodriguez was struck by the intense physicality of the sport of hurling. Considered to be the fastest sport on grass, while watching slow-motion footage of hurling Rodriguez saw that within seconds the players would go through pushing, shoving, grabbing, hugging, knocking each other down and then lifting one another up. Rodriguez worked with players to reform these gestures: creating sculptures out of bodies, directing and literally layering players upon one another.
At the outset of his project, Rodriguez wanted to create a large family photograph, an idea that was quickly surpassed by other strands of enquiry. However, with a step backwards we can see People of the Mud as just that – a collective community portrait of all the different elements that construct modern, rural Irish identities. Just like any family portrait, it is at times dysfunctional and contradictory; it gathers all the ruptures and continuities between the past and present in modern Ireland, while being held in a landscape and moment in time. This moment is both still – posed and paused – and in perpetual motion, looking towards the future.

Le Choix du peuple - Nicolas Savary, Tilo Steireif
Illusive prosody - Alex Beaurain
Mökki n°2
America - Ayline Olukman, Hélène Gaudy
Soundtrack/s - Rosaire Appel
Le blanc nez - Fouss Daniel
Après la révolution – Hors-série – JO Paris 2024. Carnets de luttes
Entretiens – Jérôme Dupeyrat
Photographic Fields - Joël Van Audenhaege
akaBB - tribute to Roni horn
Imagos - Noémie Lothe
Turbo Decompress - Coll.
Le corps travesti - Michel Journiac
Cuadernos - Henry Deletra
Holy etc. - Fabienne Radi
Deep state - Mathieu Desjardins
Mökki n°4
Modern Instances, The Craft of Photography - Stephen Shore
Aurore Colbert - Marie Mons
Sights - Henry McCausland
Bacon le Cannibale - Perrine Le Querrec
Bienvenue à Colomeri ! - Hécate Vergopoulo,
L'œuvre des matières - Ivry Serres
Bisou Magique - Coll.
Strates & Archipels - Pierre Merle
Aristide n°4
Revue La Ronde n°14
Un cheval, des silex - Benoît Maire, Sally Bonn
Le Gabion - Théo Robine-Langlois
Il est si difficile de trouver le commencement - Helen Thorington
Pectus Excavatum - Quentin Yvelin
La troisième oreille et autres textes + CD - Bryan Lewis Saunders
Roven n°4
SKKS - Gilles Pourtier
Les Climats II (Japon) - Lola Reboud, Mariko Takeuchi
Gone - Pierre La Police
interférence - 2 - maycec
Sans titre - Chris Kiss
Before Science - Gilles Pourtier, Anne-Claire Broc'h
Pénurie - Zivo, Jérôme Meizoz
Dear Paul - Paul Van der Eerden
Saint Julien l'hospitalier Tome 1 - Claire Pedot
Burning Images, A History of Effigy Protests - Florian Göttke
Dédale - Laurent Chardon
Gros Gris n°4 - Duel
La traversée - Magali Brueder
Rois de la forêt - Alain Garlan
Temps d'arrêt - Etienne Buyse
Tomber dans l'escalier - Jasper Sebastian Stürup
Gruppen n°13 - Collectif 











































