Photographer Alexandra Dautel investigates an Israeli community, a kibbutz, created in 1989 in the middle of the Negev desert. After visiting the site, however, she discovered it was more like a school. Through extensive digital research, she exposes the ambiguity and violence of a place that at first glance seemed rather utopian. Interviews with present and past members reveal that some describe it as a cult. Using different points of view, the visual language of the book’s images – a mix of archival material, plans, documents, and Dautel’s own photographs – reflects the contradictions and complexities of the community and its history, as well as the gaps and grey areas.
228 pages.


Aurore Colbert - Marie Mons
Don't forget to touch me - Anne Sylvie Henchoz
Le vieux père - Laurent Kropf
Aristide n°4
Konrad Becker - Dictionnaire de réalité stratégique
interférence - 3 - maycec
Saint Julien l'hospitalier Tome 1 - Claire Pedot
IBM – Graphic Design Guide from 1969 to 1987
WREK The Algorithm! - Aarnoud Rommens, Olivier Deprez
Darkest Night - Joel Van Audenhaege
Goodbye - Hsia-Fei Chang, Sofia Eliza Bouratsis, Medhi Brit, Enrico Lunghi
Illusive prosody - Alex Beaurain
Lili, la rozell et le marimba / revue n°2
Roven n°4
Soleil, eau, vent : vers l'autonomie énergétique - Delphine Bauer
Sans titre - Benjamin Hartmann
Mapping Bookbinding Poster- Simon Ruault
Le dos des choses - Guillaume Goutal
De lave et de fer - Laurent Feynerou
Tempête après tempête - Rebekka Deubner
Après la révolution – numéro 1
Le singe et le bijoux - Roxane Lumeret
SKKS - Gilles Pourtier
Zoom Age - Julien Auregan
De l'objet (comme un parcours) - Collectif, Sandra Chamaret
Délié - Baptiste Oberson
Critique d'art n°55
Catalogue Art Guys - That's painting productions, Bernard Brunon
Hmm ! - C. de Trogoff
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Le corps travesti - Michel Journiac
A l'origine - Anne-Émilie-Philippe
Citrus maxima xparadisi - coll.
Titanic Orchestra - Julien Mauve 









