Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as “a single, neon-hued hallucination”, ‘Laissez-Faire’ is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
216 pages.


Wayfaring - Patrick Messina, André S. Labarthe
Slanted 24 - Istanbul
Photographic Fields - Joël Van Audenhaege
Les voiles de Sainte-Marthe - Christian Rosset
La construction - Perrine Le Querrec
Le blanc nez - Fouss Daniel
Le lacéré anonyme - Jacques Villeglé
Link Human / Robot - Collectif dir. Emmanuelle Grangier
Saint Julien l'hospitalier Tome 1 - Claire Pedot
America - Ayline Olukman, Hélène Gaudy
Sans titre - Chris Kiss
Lili, la rozell et le marimba / revue n°2
Gnose & Gnose & Gnose - Aymeric Vergnon-d'Alençon
Critique d'art n°54
Il est si difficile de trouver le commencement - Helen Thorington
IBM – Graphic Design Guide from 1969 to 1987
Amos Gitai et l'enjeu des archives - Jean-Michel Frodon
Je ne peux pas ne pas - Geneviève Romang
Deep state - Mathieu Desjardins
Entretiens – Jérôme Dupeyrat
Gros Gris n°4 - Duel
Poétique d'une introspection visuelle - Jean-Charles Andrieu de Levis, Alex Barbier
Délié - Baptiste Oberson
Illusive prosody - Alex Beaurain
Pour voir, Emscher Park - Gaëtane Lamarche-Vadel 









